The Stray Pursuit Release New Single ‘Mess With My Head’

The Stray Pursuit return with their powerful new single ‘Mess with My Head’.

Swansea band The Stray Pursuit return with their exciting new single ‘Mess with My Head’ it captures the chaos and intensity of young love, set against the backdrop of living at home and fixating on someone new. With raw emotion and infectious energy, it unravels the tension of heated arguments and the mental tug-of-war that comes with a relationship growing more serious.

Rife with gritty guitars, punchy drums, and emotionally raw yet melodic vocals.  It carries a sense of frustration and urgency, blending angst with anthemic hooks. The song’s themes are both personal yet universal, concerned with mental health struggles, overthinking, and toxic relationships, giving it an emotional yet rebellious edge. With its dynamic melodic shifts, big riffing and powerful delivery, it’s an ambitious anthemic rock sound built for singalongs, it channels the energy of bands like Royal Blood and Nothing But Thieves.

The band recorded the track at Longwave Studios in Cardiff, collaborating with esteemed producer Romesh Dodangoda (Bring Me the Horizon, Holding Absence, Nova Twins). on their debut EP ‘Dominio Effect’.  Hailing from Swansea, The Stray Pursuit emerges as a dynamic force in the realm of Alternative Rock. Distinctive for their guitar-driven riffs and captivating vocals, each track embodies their eclectic musical tastes. Inspired by bands like Catfish and The Bottlemen and The Hunna, and with echoes of the Welsh rock lineage of The Stereophonics, Manic Street Preachers, and Funeral for a Friend, in the upcoming months they will release more exciting tracks.

The four-piece consists of lead singer Aaron Morgan, lead guitarist Dylan Cooney, bassist Fred Wilkinson, and drummer Ben Lewis. They have supported Andrew Cushin, The K’s, and Vida, and played alongside The Lottery Winners, Pastel, and Trampoline just to name a few. TSP were featured on This Feelings ‘Big in 2020’. In June 2023, they sold out a headline show at The Bunkhouse for their single release ‘Let It Be Known’. They then went on to sell out two out of five dates of their ‘Domino Effect’ debut EP tour in 2024. One in Cwrw, Carmarthen and the other in The Moon, Cardiff.

The band’s origin story traces back to an unexpected bus ride that led Aaron and Fred to forge an unexpected bond. Despite being rivals in separate bands, their chemistry became undeniable during a jam session. The additions of exceptional talents lead guitarist Dylan and drummer Nicky solidified the lineup.  Tragedy struck when founding drummer Nicky Bevan passed away in December 2022. They say “The devastating loss catalysed a renewed purpose for the band: to honour Nicky’s legacy and prove our potential for greatness. He is missed dearly, and will be forever cherished by so many people.”

The pandemic-induced hiatus and Fred finishing university provided growth for the band. Emerging from this break in June 2022, and Ben joining the band later in April 2023, The Stray Pursuit reentered the practice room, channelling their energy into crafting new tracks and elevating their stage presence and live performance, for the songs on their debut EP ‘Domino Effect’.

Emily Marsden – Editor
#IndieRevolution
@Indierevuk
Indierevuk@gmail.com

Red Telephone Release New Single ‘Sentimental Dreaming’

As the countdown to their sophomore album Delay The New Day enters its final stretch, Cardiff multi-intrumentalists Red Telephone offer fans one last sonic appetiser with ‘Sentimental Dreaming’.  

Driven by a hypnotic bassline and layered with ethereal synths, ‘Sentimental Dreaming’ comes with an interesting backstory. Born from a 15 minute acoustic guitar session intended to fix the chorus of a different song, the track became one of the first the band worked on for their new album. However, its journey to completion was far from straightforward, going through multiple iterations, including a bold foray into Robyn-inspired pop, before finding its final form in a spontaneous late-night studio session.

We started listening back to practice recordings of all the different versions we’d attempted and there was this one phone recording with this really rhythmic, catchy bassline by Dom.” lead singer Declan says of the song’s construction “We were basically recording it ten minutes later on the fly and didn’t leave the studio until about 2am. There was definitely some late-in-the-day chaos as we scrambled to get it over the line, but it added a different energy & even brought about one of Kieran’s favourite guitar parts on the album, which he put down off the cuff going into the outro almost in some jaded desperation to get it done.”  With nods to Suede and Talking Heads, and a bridge that channels Roy Orbison, ‘Sentimental Dreaming’ emerges as a serendipitous anthem for the band, capturing their eclectic influences and innovative approach to songcraft. 

Delving into the album’s central theme of the trials and tribulations of modern day artists, ‘Sentimental Dreaming’ lyrically explores the chasm between the romanticised visions of creative pursuits and the often harsh realities of chasing those dreams. Of the song’s lyrics Declan says “There’s obviously this idealistic sentimentality in dreaming – it almost sounds like a sweet, harmless thing to do – but it’s deceptively powerful, because it can send us down paths that end up dictating not only behaviour but entire periods of our lives and ways of living.” 

Following the success of their deliciously dark and mesmerising debut album Hollowing Out, Red Telephone’s upcoming album Delay The New Day see’s their ever evolving sound push boundaries even further. Building on their signature blend of melodic psych and darkwave, Red Telephone promise to further explore this fusion with the addition of cinematic influences to their sophomore effort. Led by the quintet’s knack for multi-instrumental intricacies, Red Telephone’s latest work evokes comparisons to MGMT, St. Vincent, or fellow Welsh icons Super Furry Animals, while staying true to the unique style they established in their critically acclaimed debut. 

Thematically, the album delves into the struggles faced by countless aspiring artists: the relentless juggling act of day jobs and creative pursuits, the bombardment of conflicting advice on achieving success, and the ever-present fear of losing sight of the initial spark that ignited the passion. Delay The New Day is a tapestry of paranoia, self-doubt, and the sheer determination it takes to carve a path in the music industry. But even deeper than that, it’s about refusing to compromise on artistic vision, and embodying the underdog’s mentality to keep creating for the right reasons. 

Hailing from Cardiff, Red Telephone are a quintet featuring two sets of brothers alongside their first full-time drummer. They began their journey by releasing their first two singles as a double A-side vinyl on the Welsh cult label Popty-Ping, earning praise from Huw Stephens and Steve Lamacq. Their critically acclaimed debut album, ‘Hollowing Out’, garnered media attention from Clash, BBC 6 Music, and Under The Radar, amongst many. Now, in 2024, with their second album completed, Red Telephone continue to make waves in the UK alternative scene with their potent blend of psychedelic rock and darkwave. 
‘Sentimental Dreaming’ is out now, whilst their upcoming album Delay The New Day is hailed for release January 31st 2025. Pre order Delay The New Day on vinyl for guaranteed entry to their exclusive album listening party on January 29th at Tiny Rebel, Cardiff.

Emily Marsden – Editor
#IndieRevolution
@Indierevuk
Indierevuk@gmail.com

Caitlin Lavagna Releases New Single ‘October’

This year, Caitlin Lavagna has gone from strength to strength both musically and in her acting career. After the hugely successful release of her single ‘Gold’ which made her a BBC Radio Wales Welsh A-Lister for for the first time, Caitlin was invited into the BBC Studios in Cardiff to perform two of her original songs as well as being interviewed live on air. After success stints in ‘Turning the Wheel’ and a UK Tour of ‘Operation Julie’, Caitlin then appeared on the BBC Radio Wales’ Welsh A-List for a second time with ‘Pretty Alright’ a song about overcoming self doubt and body image issues and understanding your own bad habits and emotional trauma.

She has gone on to headline Rhondda Arts Festival, appear on the line-up for this years Gen Z Fest and Wokingham Festival, took on the role of ‘Mrs Gloop’ in Charlie And The Chocolate Factory at Aberystwyth Arts Centre and returned to her roots in Gibraltar as part of The Weekender line up.

About October:
“This time last year my career was bursting with excitement and opportunities were flowing. I was performing in a show I adored, finding new friends, traveling to new places and I had someone special, who I felt really saw me, to share it all with. Then, I was left completely and utterly ghosted, left behind and vulnerable. The song follows a year of being ignored by someone who I believed loved me. I suppose releasing it now makes it a cathartic song, attempting to take back my favorite month, a time for me. I want to take the listener on a personal, raw and honest journey of grief and unexplained loss. Quite simply, a brutal end to a beautiful connection.” – Caitlin Lavagna

‘October’ is a truly heartfelt and heart-wrenching song, sung with such real emotion. Caitlin’s voice is on point as usual, her best release to date, a true talent. ‘October’ is out now which will be accompanied by a stunning music video later this month.

Emily Marsden – Editor
#IndieRevolution
@Indierevuk
Indierevuk@gmail.com

Holy Coves Embark On Autumn National UK Tour

Welsh, Awen Rock band Holy Coves embark on their second UK tour this year after the success of their Spring tour earlier in the year. The Snowdonia Records Independent music pioneers head to Leeds, Liverpool, Edinburgh, Glasgow, Manchester and London with an end of year show in the beginning of December, in the Welsh capital, Cardiff with some of independent music’s finest bands as support.

Since the release of the award winning album ‘Druids and Bards’ the band have toured extensively over the last two years building a strong fanbase in all the major cities in England, Scotland and Wales. The band have also appeared at festivals such as Isle Of Wight Festival and Focus Wales, and have recently announced on social media they are currently working on their new record which they plan to record in January after their Autumn tour ends.

Be sure to catch them playing at the following venues before the end of the year. Follow the Link below for tickets.

https://holycoves.co.uk/pages/live-shows

4th October – Leeds, Santiago’s
5th October – Liverpool, EBGBS
25th October – Edinburgh, Sneaky Pete’s
26th October – Glasgow, McChuill’s
9th November – Manchester, Deaf Institute
23rd November – London, Water Rat’s
7th December – Cardiff, The Globe




Emily Marsden – Editor
#IndieRevolution
@Indierevuk
Indierevuk@gmail.com

Red Telephone Release New Single ‘What To Believe’

After bursting back onto the scene with ‘Delay The New Day’, Cardiff multi-instrumentalists Red Telephone are back with another scorcher, ‘What To Believe’. The track is our second insight into their upcoming sophomore album Delay The New Day which is hailed for release early 2025. 

Delving into the complexities of conflicting narratives, ‘What To Believe’, continues the blend of melodic psych and darkwave that defined Red Telephone’s critically acclaimed debut, Hollowing Out. Originally conceived as a piano ballad by lead singer Declan, the song underwent a dramatic transformation during the band’s Cornwall recording sessions. What began as a slow, melancholic piece echoing the ethereal simplicity of Lana Del Rey, was radically reimagined by Dom (bass) and Luke (drums), who injected the track with an urgent, driving rhythm. Opening with a deep, funk infused bassline groove that evolves into a celestial expanse of synths, the song captures an essence of 80s melodrama, drawing comparison to the danceable yet intellectual energy of Pet Shop Boys.

“Lyrically it’s pretty abstract” says Declan of the track. “The lyrics came out fast and I mainly just liked the imagery… But it’s definitely got something to do with the problems that come with drowning in an ocean of information, content and conflicting narratives. Not wanting to get seduced or manipulated by things,  all while searching for something to have a bit of faith in. I guess in this case, it relates to having faith in the ambitions and paths your past self sent you down. Are you still in charge or are they running you?

‘What To Believe’ delves deeper into the existential turmoil faced by today’s artists, a central theme explored throughout Red Telephone’s upcoming album, Delay The New Day. From balancing demanding day jobs with creative aspirations to navigating a sea of contradictory advice, the band captures the universal anxieties of those chasing their dreams. Recorded semi-live in a short timeframe, this latest offering aims for a more cohesive sound, placing a strong emphasis on melody and lyricism written primarily in solitude by members Declan and Kieran on guitar and piano. By blending their signature multi-instrumental flair with a bold new cinematic edge, Red Telephone have expanded their sonic palette while staying true to their core identity.

Hailing from Cardiff, Red Telephone are a quintet featuring two sets of brothers alongside their first full-time drummer. They began their journey by releasing their first two singles as a double A-side vinyl on the Welsh cult label Popty-Ping, earning praise from Huw Stephens and Steve Lamacq. Their critically acclaimed debut album, Hollowing Out, garnered media attention from Clash, BBC 6 Music, and Under The Radar, amongst many. Now, in 2024, with their second album completed and set to release early 2025, Red Telephone continue to make waves in the UK alternative scene with their potent blend of psychedelic rock and darkwave, drawing comparisons to indie trailblazers MGMT, St. Vincent, or fellow Welsh band Super Furry Animals.

‘What To Believe’ is available across all streaming platforms now, whilst their sophomore album Delay The New Day is hailed for release early 2025.

Emily Marsden – Editor
#IndieRevolution
@Indierevuk
Indierevuk@gmail.com

Red Telephone Release New Single ”Delay The New Day’

Following the success of their deliciously dark and mesmerising debut album ‘Hollowing Out’, Cardiff multi-instrumentalists Red Telephone are back with ‘Delay The New Day‘. Kicking off a series of singles before they release their sophomore album of the same name in October. 

Building on their debut record’s blend of melodic psych and darkwave, Red Telephone promises to further explore this fusion with the addition of cinematic influences in their upcoming releases. Their first single, ‘Delay The New Day’, delves into themes of indulgence and hedonistic distraction, examining how the allure of nights out and easy comforts can become laborious and repetitive. Driven by the quintet’s knack for multi-instrumental intricacies, Red Telephone’s latest work evokes comparisons to Arctic Monkeys‘ newer sound (like Tranquility Base Hotel & Casino or The Car) while staying true to the unique style they established in their critically acclaimed debut.

‘Delay The New Day’ offers the first glimpse into Red Telephone’s upcoming album of the same name. Recorded semi-live in a short timeframe and featuring their first full-time drummer, this latest project aims for a more cohesive sound, capturing a specific time and place for the individuals and as a group. Primarily written in solitude by members Declan and Kieran on guitar and piano, the album places a strong emphasis on melody and lyricism from the outset. Thematically, it explores the challenges of balancing full-time work with being a musician, and the alienation caused by conflicting advice on how to succeed, straying from their original musical intentions.

Of the process they said “It’s about the paranoia, doubt and dissolution that goes with the territory of pushing yourself and trying to carve out a path where you hopefully get to survive on what you love doing. Even songs on the album that aren’t directly about this still tie into the theme, for example,  Delay the New Day, which is about indulgence and hedonistic distraction at the expense of creating.”

Hailing from Cardiff, Red Telephone are a quintet featuring two sets of brothers alongside their first full-time drummer. They began their journey by releasing their first two singles as a double A-side vinyl on the Welsh cult label Popty-Ping, earning praise from Huw Stephens and Steve Lamacq. Their critically acclaimed debut album, ‘Hollowing Out’, garnered media attention from Clash, BBC 6 Music, and Under The Radar, amongst many. Now, in 2024, with their second album completed and set to release this October, Red Telephone continue to make waves in the UK alternative scene with their potent blend of psychedelic rock and darkwave, drawing comparisons to indie trailblazers MGMT, St. Vincent, or fellow Welsh band Super Furry Animals.

‘Delay The New Day’ is available across all major streaming platforms now, whilst their upcoming sophomore album of the same name is hailed for release this October. 

Emily Marsden – Editor
#IndieRevolution
@Indierevuk
Indierevuk@gmail.com

No Thee No Ess Release New Album ‘Distant Country’

Cardiff band ‘No Thee No Ess’ return with the announcement of their 8th Studio Album ‘Distant Country’ out now!

Described by Andy Fung, ‘Distant Country’ is a a journey on a wagon, a Waltz through the Country genre with an array of guest musicians joining the band around the campfire, including Gareth Bonello (The Gentle Good) on Banjo, Kate Ronconi (Lost Tuesday Society) on Violin, and Rhodri Ratatosk on pedal Steel.

No Thee No Ess is the long time collaboration between visual artists and musicians Paul Battenbough and Andy Fung.

Both have a high pedigree of previous projects (Derrero, Cymbient, The Cosmic Array amongst others) and they’ve come together to make their 8th studio album ‘Distant Country’ with producer and collaborator Frank Naughton.

‘Distant Country’ is ‘No Thee No Ess’ 8th studio album following on from 2022’s well received, psychedelic ‘Dimmer Switch’.

This album has distinct country hues and a laid back and dreamy feel whilst retaining the band’s signature aesthetic. The album has more traditional song structures and utilises more acoustic instruments to augment the songs but still has a nod to psychedelia.

‘Distant Country’ is ‘No Thee No Ess’ 8th studio album following on from 2022’s well received, psychedelic ‘Dimmer Switch’.

The album was engineered and produced by Frank Naughton and No Thee No Ess and recorded at Ty Drwg studio in Cardiff with wonderful guest musicians Frank Naughton – bass, piano, Rhodri Viney – pedal steel, Gareth Bonello – banjo, Kate Ronconi – violin and Sarah Passmore – vocals helping to elevate this work. The album reflects the band’s love for alternative country music which has always been present.

Emily Marsden – Editor
#IndieRevolution
@Indierevuk
Indierevuk@gmail.com

The Vanities Release New Single ‘Just Passing Through’

The Vanities are an electro-rock duo from Cardiff made up of Rhys Bradley (vocals/guitar) and Adam Hill (bass guitar/synths). Recent adventures have included the release of their much-lauded debut LP “2001” along with acclaimed singles “London” and “Private Army”, garnering significant airplay and leading to guest appearances with 80s icons Tony Hadley and Peter Cox on their sell-out tours.

The band return with their new AA side single, “Just Passing Thru”.

A Just Passing Thru (ft. Bob Fitzgerald)
AA Just Passing Thru (Jammy Remix)

Side A features local award-winning country music artist Bob Fitzgerald who brings his unmistakable voice to the track. With an arrangement that embraces country and gospel influences, “Just Passing Thru” is a heart-breaking sermon on love, loss and the importance of living life to the full. An instant classic.

Side AA is the incendiary remix by Jammy, the South Wales-based super-producer behind the recent string of belters by Kaysha Louvain. With its fusion of rock, country and funk sensibilities, the Jammy remix serves up an irresistible slice of contemporary pop heaven that has hit single written all over it.

‘Just Passing Through’ is out now on all streaming platforms.

Emily Marsden – Editor
#IndieRevolution
@Indierevuk
Indierevuk@gmail.com

Tom Anthony Releases New Single ‘Symphony’

After exploring the realms of indie rock and punk with previous singles “Where Shadows Roam” and “Tearaway”, Tom Anthony once again showcases his range with his latest offering, ‘Symphony’.

“Symphony” tells of Anthony’s personal journey of separation from and reunion with music. It’s a candid and introspective look at his 15 year hiatus and inspirational return fueled by the need for artistic expression in a lockdown world.

“Symphony” is a deeply autobiographical and intimate piece, in which Anthony pours his musings, regrets and realisations into every note and syllable. This single reveals a more contemplative and refined side to Tom Anthony’s sound, while retaining the emotion and poetic insight that characterizes his music.

A record in the tradition of singer-songwriters, “Symphony” delivers a fresh take on the classic style of artists like Bob Dylan, Leonard Cohen, Jeff Buckley and Ryan Adams, and represents yet another aspect of Anthony’s varied influences.

This honest slice of insight into Tom Anthony’s story acts as a precursor to his forthcoming album slated for early 2024, and it’s a testament to Anthony’s ability to intertwine his life experiences with diverse musical elements, creating songs that resonate and stay with the listener long after the last chord has been struck.

With “Symphony”, Tom hopes to reach the hearts of those who have left a passion behind, helping them to
rediscover and reconnect with the thing that sets their soul alight. It’s an anthem for dreamers, believers and those unwilling to let life get in the way.

Emily Marsden – Editor
#MusicSceneWales
@MusicSceneWales
musicscenewalescymru@gmail.com

Mirari Releases Debut EP ‘The Last Cowboy’

Cardiff artist Mirari announces the release of his debut  EP ‘The Last Cowboy’. This highly anticipated debut sets the stage as a complete introduction to the eclectic artist. The two singles (‘Class of Deja’ & ‘FIRST CLASS’) released ahead of this EP offered a glimpse of things to come and have received a wealth of support from BBC Radio 1Xtra, Kiss Fresh & ChoiceFM. ‘Class of Deja’ was also added to Spotify’s own Grime Shutdown Playlist.

Mirari’s sound is both unpredictable and undeniable. ‘Class of Deja’ is a hard-hitting classic grime record taking inspiration from the likes of Kano, Skepta & Chip. Meanwhile, ‘FIRST CLASS’ is a melodic blend of Afrobeats (paying homage to his Nigerian heritage) and Baile Funk. The success of both records despite their differences indicates Mirari’s prowess and flair as a musician. This is something his fans in Cardiff are well aware of as he continues to build a cult-like following in the region with a string of exceptional live performances through 2023 (Tiny Rebel Fest, Focus Wales & New Skool Rules).

The last few years for Mirari has been about earning his artistic stripes, putting the rounds in. His EP, ‘The Last Cowboy’ is about stating his case as THE premier artist coming out of South Wales. He describes the music “as an experience to live with. I build a world and invite you to live in it”. The music is an audio journey featuring everything you would expect from a Classic Western movie but with Mirari’s vocals driving the narrative accompanied by a backdrop of production that is both cinematic and theatrical. It explores themes such as honour, redemption and the struggle between good and evil characterised by urban London life. The music creates a setting that is sparse and multi-layered – similar to the contrast of the typical American frontier during the 1800s: vast landscapes, deserts, small towns and rugged terrains. It features hard-hitting beats, twangy guitars and epic scores that add to the atmosphere and tension and it’s out now.

Emily Marsden – Editor
#MusicSceneWales
@MusicSceneWales
musicscenewalescymru@gmail.com