Fauna Twin are Parisian singer Claire Jacquemard and Welsh guitarist/producer Owain Ginsberg (Hippies Vs. Ghosts and We Are Animal).
Following on from the effervescent EP The Hydra, released in 2016 (Which everyone must listen to!) Fauna Twin release their eagerly anticipated new single ‘Mother’ accompanied by a mesmerising music video. A remarkable comeback.
A very appropriately timed release with it being the month of Mothers Day. For Fauna Twin this song is dedicated to “Mothers” and “An ode to birth even in reverse”. The vocals are effortless and hypnotic, the beat thrumming and building throughout is trance-inducing, a source of comfort like a heartbeat.
Claire says of the track: “I’m so happy to share with you that tune, which I wrote religiously like a psalm, an ode to love and its density. Dedicated to my Mothers, to all the ramifications and the roots. This song was a monochord challenge, as its structure is unusual. The arrangements and layering process were rooting into a true thinking and positive artistic pressure.
The video is edited by the great Bec MC Jagger who had been a true ally during the visual fulfilment.”
Hard-grunge rockers Stone Angels are excited to release their thrill-seeking, in-your-face new single ‘Gambler’ from their highly acclaimed new album ‘Up In Smoke’ which is available now on CD and vinyl direct from the band. Frontman/guitarist Niall Kersey reveals the inspiration of the song “I already had the main opening guitar riff sitting around a while, and during a full band writing session everything else just seemed to fall into place. Taking inspiration from our drummer, who is a professional gambler, the lyrics are about how life really is one big gambling game and the stakes are high!”
With the new album armed to the teeth with a flurry of sledgehammer riffs, colossal choruses and unabashed wailing solos, and in a departure from the norm, the collection of 9 hard-hitting songs will be released digitally track-by-track. Buying the album direct from the band is the way to hear the album in its entirety as intended with Classic Rock magazine calling it “bone crunching, heavy rock goodness” and featured previous single ‘Ghost Of New York’ as one of their Tracks of The Week along with Powerplay Magazine being “really impressed by this album, 8/10.”
On the decision to release the album in physical form only for now, they explain, “In order for an artist to really have a chance to grow on streaming platforms they need to have a steady flow of new music to drip feed over several months to help maintain and grow audience engagement. On any given day around 120,000 songs are uploaded to Spotify, so within a month over 3 million songs have been released which means your music can become “old” in an instant.”
Swooping in from the vibrant cornucopia of the ever-expanding music scene in Brighton UK, the soaring 4 piece of Niall Kersey (vocals/guitar), James Innes (lead guitar), Sam Sayers (bass) and Loz Ford (drums) worked with multi-platinum award-winning producer Mike Krompass (Steven Tyler, Everybody Loves An Outlaw, Smash Mouth), recording at his state-of-the-art studio Base Culture with mastering duties expertly handled by Tim Turan (Black Sabbath, Guns N’ Roses, Pearl Jam).
Having shared stages with Kris Barras Band, Skindred, Hot Milk and Ricky Warwick the band pull inspiration from classic LA rock, Seattle’s iconic grunge and historic UK rock scenes and have been likened to such household names as Queens of The Stone Age and Soundgarden. 2024 saw them play festivals in Station 18 Swansea, Pride Rock Festival in their hometown and the final Monsterfest in Scotland to rave reviews, this year brings their first European festival appearance at Summerside in Switzerland alongside Airbourne, Billy Idol and Royal Republic…it’s a safe bet that a flightful future is upon Stone Angels.
London Girls is the ninth single from the quirky indie-popster from London.
Garlen Lo is a born-and-bred Londoner of Hong Kong-Chinese origin. Aged 7 he was raised by a wine-guzzling auntie who played country music at max volume. One Christmas, he got a guitar and took naturally to writing drunken singalongs with twee wordplay.
He formed an unruly, skinny-jeaned indie band in the mid-2000s, but after that imploded, tried to become a respectable member of society. Not quite succeeding at that either, he resumed his love for songwriting during the pandemic. The result is this.
He is a one-man band: playing all the instruments, singing, producing, and making the music videos. Songs about lost love seems to be his thing. His latest single ‘London Girls’ is basically The Beach Boy’s ‘California Girls’… but London!
Garlen Lo says of the song: “Seemingly a romantic number, it’s actually written about a friend who I met abroad, a fellow Londoner. From Leyton to be precise. EastEnders accent included. It might be my wittiest song with mentions of Ruby Murray, pull my finger, and Bruce Forsyth. Can you think of any other song that includes the word ‘fart’ or features a TV catchphrase?”
‘London Girls’ is out now, along with a fun music video!
Critically acclaimed vocalist, songwriter, and producer, Emily Saunders is set to release ‘Moon Shifts Oceans’ — her upbeat, soul-infused album that blends smoky vocals with jazz-fusion and folk-pop sensuality. Saunders crafts a deeply personal and emotional soundscape, evoking magical nights filled with warmth, connection, and freedom. Her songs inspire hope and healing, embodying a belief in music’s power to uplift and transform. Her musical influences push boundaries to make music that pops. Think Brazilian and broken beats meet Goldfrapp with echoes of Erykah Badu and India Arie.
The album focus single, is the vibrant, joy-infused ‘Sideways’, which promises to be an anthem of Spring, beckoning listeners to embrace life’s twists and turns with a spirit of joy and resilience.
‘Sideways’ delivers a powerful message of finding light and love amidst life’s darkest moments. With multi-layered vocals and poetic lyrics dancing over bubbly riffs and driving grooves, the track is an irresistible call to happiness, light and life. At the core of the track is Emily’s soaring, enchanting voice, which playfully dances over her infectious tunes and bold music-production in such a way to effortlessly weave their way into the listener’s soul.
Reflecting on the track, Emily Saunders shared; “Sideways is just about tripping through life; that some things can knock us over, and some things lift us up, and how friendships and love can help us see sunshine even on the cloudiest of days. This song is a celebration of how connections and love illuminate our path and cushion the falls with a comforting warmth. ‘How we walk through our days, grey clouds shine with sunny golden linings, clouds blow by as the sun lights the sky, warm love on a dark day.’”
Born in Charing Cross, Saunders grew up in Brixton, South London, in a highly musical family, singing from the age of four. But navigating challenging family dynamics in her teens, she sought shelter and support at a local hostel, where she lived for three years from age 16. “These difficult years spurred me on creatively, and music became my safe space, where I transformed the adversity from teenage chaos to a deeper understanding of the impact of sound on those turbulent times. This has been my driving force ever since”, she explains.
Saunders had to dig deep when diagnosed with acute psoriatic arthritis in 2017, leaving her semi-paralyzed, unable to walk, and isolated at home. “It would be easy to ask why me? Why now? But it’s empowering to be free even when everything around you feels like it’s closing in,” says Saunders, who recovered and pushed through the trauma of her disabling injuries to forge an even deeper sound and a determination to self-engineer and fully immerse herself in her music with the freedom to create with no restraints. “Focusing on the creative force within can transform each and every one of us. The trick is to keep believing, keep creating, and keep sharing”, she says.
Her new album ‘Moon Shifts Oceans’ is a creation of beauty, strength, and soul. Saunders is at her best, her voice is rich and magnetic, wrapping around melodies with effortless grace and artistry, offering an intimate journey through her world of deep feeling and dynamic sounds. The album conjures the perfect night — the air is warm and sultry, your friends are by your side, and the evening has just begun. Think honey vibes and breathless pop sexiness. Saunders keeps you hooked from the first track. Every note is a reminder to live life with joy and openness.
Dubbed “the Queen of Jazz Fusion,” her engaging, distinctive vocals, and hands-on production blend pop and soul-jazz with echoes of Brazilian beats. With the album, Saunders masterfully balances depth and joy, offering a soul-soothing escape filled with groove, melody, and heart. Expect catchy songs, infectious grooves, and vibrant rhythms. After her critically acclaimed debut album, her follow-up, ‘Outsiders Insiders’, was described by BBC Radio 2’s Jamie Cullum as “absolutely brilliant,” showcasing her artistry with unique compositions praised for their originality. Today, Saunders is unstoppable. Now, on her highly anticipated forthcoming new album, ‘Moon Shifts Oceans’, she has again raised the bar, offering a powerhouse of hits — her best yet, and hailed by critics as the breakout star for 2025.
Saunders’ music has hit the Top 10 on international iTunes and Amazon charts in the UK, USA, Germany, France, and Indonesia, receiving multiple 4-star reviews including: Evening Standard, Guardian, Independent, and Daily Telegraph. Her music has received multiple plays on BBC Radio 1, 2, 3, 4, 6; consistently playlisted on Jazz FM; and receives widespread radio play on national stations across the globe.
Ideal for fans of Noel Gallagher’s High Flying Birds and Motown. Echo Bass Records proudly presents the latest single from Ashley Stacey, “Archipelago,”. Blending the gritty charm of indie rock with the infectious melodies of Britpop, Ashley Stacey delivers a fresh yet nostalgic sound that’s distinctly it’s own. “Archipelago” captures the spirit of introspection and adventure, weaving evocative lyrics with driving guitars and an anthemic edge.
Ashley says of the track: “In it’s simplest form, this is a tale of lost love. The age old story of one leaving to pursue better things at the cost of their partner’s heartbreak. In this instance, the protagonist reminisces whilst dreaming of what could have been, oversees on the idealistic exotic island. Let the sounds of this warm, modern Motown toe tapper soothe your soul and whisk away to the Archipelago!”
Ashley Stacey is an Indie Rock ‘n’ Roll artist from South East London, celebrated for his catchy melodies, sharp lyrics, and a nostalgic Britpop vibe. With a mix of fresh energy and classic influences, Ashley crafts songs that are both heartfelt and stylish.
In late 2021, Ashley released his Single ‘The Morning Sun’ and in 2023 his debut EP ‘Telepathic Love’ recorded at Tileyard London, mastered by Jon Astley (known for his work with McCartney, The Rolling Stones, and more). Since then, Ashley has supported acts like Reverend and The Makers, performed at iconic venues such as The Albion Rooms and 100 Club, and played Priory Live Festival in August 2023 alongside Britpop legends Dodgy, Stereo MCs, and Toploader headlining the Kent Radio stage. He’s also played major stages like Chislehurst Rocks (with over 10,000 attendees), Soul Town Festival alongside Jocelyn Brown, Aswad, and Joyce Sims, and supported Dermo of Madchester’s Northside at The Lexington.
In February 2025, Ashley signed with Echo Bass Records and is gearing up to release his new single Archipelago, the first track ahead of his upcoming EP. Stay tuned for more updates, including tour dates and exclusive behind-the-scenes content. The single is available now on all major streaming platforms
Kathmandu is an alternative four-piece band led by songwriter and lyricist Donna Marie. Their catchy, dreamy songs thrive on the tension between light and dark, exploring the spaces where the two meet. Drawing from the vast realms of alternative music, the band blends introspective reflection with the playfulness of indie pop. Yet, at their most ambitious, their songs will draw you in, leading the way to climaxes of a cinematic grandeur. Kathmandu is perhaps best compared to incense smoke. Hazy, but uplifting with an intense melancholy air that lingers.
Donna Marie says of the song:
“This song lyrically focuses on my desire for change and the feeling of being stuck in my (then-current) situation. It’s an introspective track about wanting to ‘escape’ and create a fresh start for myself, while seeking space for my own needs and passions. Interestingly, the song’s bright, summery vibe contrasts with the underlying emotions. However, these emotions aren’t necessarily negative—they were more of a wake-up call for me. The message I want to convey with this song is that it’s never too late to start over. But you have to initiate it yourself, because no one else will do it for you.”
Different Life is out now and is to be followed by three more singles and an EP!
With her second studio album, ‘BOHČME’, Kety Fusco transforms the harp into an entirely new voice, redefining what this instrument can represent in the contemporary music landscape. This is not just music: it’s a vision. It’s an invitation to explore a sound world that has never existed before.
Every sound in ‘BOHČME’, which follows acclaim for Kety’s music from BBC 6 Music, The Guardian, Wonderland and more in the UK, originates from the harp, yet nothing is as it seems. Sound manipulations, underwater recordings, and unconventional techniques create a unique musical language, far from traditional boundaries. Among the boldest experiments, Kety literally submerged herself in a pool to record the sounds of the harp underwater, turning the instrument into a medium for narrating the unexpected. This daring approach shines in the opening track, ‘Hi, this is Harp’, a manifesto of sonic avant-garde.
Discovering the harp at just 6 years old, Kety Fusco’s magnetic talent has now taken her to iconic stages such as the Royal Albert Hall, the Montreux Jazz Festival, the Swiss Federal Parliament, and the prestigious Euro Jazz Festival in Mexico. With over 200 concerts worldwide, Kety has redefined the role of the harp, bringing it to the most unexpected contexts: from the Notte della Taranta to the United Nations, and even on a tour of South America for the Swiss Embassies.
An unstoppable composer and creator, Kety has written soundtracks for a film and a documentary set to be released in 2025, as well as composed the theme music for the Rai Radio3 program Voci in Barcaccia. Her original works are a manifesto of artistic freedom, captivating audiences with their fusion of tradition and avant-garde. Her musical journey is authentic and uncompromising, reflecting a deeply personal artistic vision.
In 2024, she served as the Swiss juror for the Eurovision Song Contest, adding another milestone to her path of international excellence. The year 2025 promises to be a year of great achievements: in June, ‘BOHČME’ will be released, featuring a collaboration with the legendary Iggy Pop, solidifying Kety Fusco as a revolutionary figure in the global music scene.
‘BLOW’ is the first breath of freedom from ‘BOHEĚME’. It’s the gust that tousles your hair, shakes the rules, and reminds us who we are when we let go of our masks. This track was born from the desire to shed the weight of expectations, to dive into a wind that carries everything away, leaving only the essential.
With ‘BLOW’, the harp becomes so much more than a traditional instrument: it’s a bridge between the past and the future, between its classical roots and an entirely new dimension. It’s as if the harp, with its millennial history, found the courage to break its own chains and be reborn with a new voice.
“I sought to transform it into something wild and untamed, capable of expressing emotions that transcend tradition, projecting it toward a bolder, unknown future”, says Kety.
This track is not just a song; it’s a feeling: the wind slipping through your fingers, the heartbeat rising in your chest, the burst of light that marks the beginning of something new. ‘BLOW’ is an invitation to challenge boundaries, to leave the past behind without denying it, and to turn it into a force that drives us toward freedom.
‘Exploding!’ is powered by a stomping rhythm, its fuzzy guitars, proggy synth splashes, snappy melodies and ticking cowbells make it a refreshing response to the rising tide of negative news and doom scrolling. Dion from the group commented: “The track was inspired by a rehearsal we had, Cynyr explored a few riffs with a more fuzzy sound. The lyrics flowed from what was on the news that night, on the TV and on social media especially, the relentless tension that comes from having all of that in your pocket all the time and how some people can eventually become desensitised to it, which inspired the paradoxical nature of the track.”
Taking influence from 70s/80s Paul McCartney and DIY ‘Fantastic Man’ William Onyeabor, Worldcub produce material from their home studio on the hills of Eryri, splicing together elements of surf music, kraut-rock grooves and hypnotic psych-tinged Cymru vocal harmonies.
Brothers Cynyr and Dion Hamer founded the band under the name ‘CaStLeS’ before releasing their debut album, ‘Fforesteering’, which gained coverage on major platforms such as The Guardian and UNCUT Magazine. With help from Calvin Thomas on bass and Jasmine Roberts on guitar, the band released their follow-up album, ‘Back To The Beginning’ in 2024, its singles ‘Grog’, ‘One Small Mistake’ and title track ‘Back To The Beginning’ kept a steady presence on BBC 6 Music and BBC Radio Wales.
Worldcub also gained momentum live, with notable performances on stages such as the BBC Introducing stage at Reading & Leeds Festival, Liverpool Sound City, Liverpool Psych Fest, BreakOut West in Canada and main support to Public Service Broadcasting at FOCUS Wales.
London/ Essex based band Payola formed at the start of 2024, in The Argyll Arms pub just off of Oxford street with Dave Farley (Lead Vocals), Scott Forsyth (Lead Guitar), Matt Peel (Bass Guitar), Robbie Capel (Rhythm Guitar) and Craig Edmonds (Drums). They were drawn together and united through their shared love and passion for 60’s rock n’ roll, soul, 70’s punk, 90’s indie & Britpop music.
The band spent the best part of 2024 locking themselves away to furiously write and perfect their sound, with the single vision goal of releasing high-quality music coupled with a heightened desire to bring something fresh and exciting to the British guitar new music scene.
Putting their money where their mouth is, Payola more than proved their point with their first two releases. Their debut single, Born Out Of Frustration was released in August 2024, and is a song that is full of swagger, driven by pounding bass lines and stunning guitar hooks.
The follow- up single, The Way It All Begins, once again is a full throttle, high octane belter full of hook laden guitar riffs and infectious rhythms.
Payola are now back with the hattrick in terms of single releases with ‘Pulse Jet Man’
‘Pulse Jet Man’ from the very start is full of thrashing, pounding drums and distorted, fuzzing, snarling guitars. It’s a frenzy of electrifying sound that doesn’t let up throughout. There’s a certain urgency contained in the melody, the chorus hooks are anthemic and just as unrelenting. It’s a raw and powerful track befitting of a true rock and roll band.
Payola have said of the track:
“The idea behind Pulse Jet Man is that it is the persona you take on when you want to be something that you don’t think you can be. It’s the person you want to see looking back in the mirror, not what the actual reflection portrays.
Be that a hero, a thief, a heartbreaker or an astronaut. Everyone has a bit of pulse jet in them. C’mon, c’mon.”
‘Pulse Jet Man’ was written and composed by Robbie, Craig, Scott, Matt with Craig and Dave adding in the lyrics. It was Recorded at Crunch Studios, Carshalton, Surrey and was Produced and Mixed by Alan Charles.
Upcoming Gigs/Tours –
Sat 5th April – The Waiting Room N16, Stoke Newington, London
Fri 16th May – 93 Feet East, Shoreditch, London
Fri 20th June – The Dublin Castle, Camden, London
Fri 12th Sept – The Troubadour, Earls Court, London
Billy Hunt grew up immersed in a rich tapestry of music, drawing inspiration from artists like Jeff Buckley, Neil Young, and Paolo Nutini. This diverse influence has shaped his distinct sound—a fusion of raw indie energy, soulful storytelling, and poetic introspection.
Hunt’s velvety, resonant vocals carry the weight of experience to them, transporting listeners to a space of vulnerability and authenticity.
His immersive live performances blur the lines between artist and audience, creating a powerful sense of unity.
Previously signed to Good Deeds Music, Hunt released his first single “Intoxicate”, which gained him international airplay and led to an interview on BBC News.
He later released “No Occupation” in 2023 via Thru Tone Records (UK) and Gentlemen Recordings (Benelux), which reached #2 on Australia’s Banks Radio Chart.
Billy Hunt has steadily built his presence in the UK music scene, supporting the likes of The Gulps and touring with Cosmo Pyke.
He has performed extensively across London and the North of England, played at several festivals, and made notable appearances in Liverpool at The Cavern Club as well as in Sheffield.
Hunt’s contributions to the music scene were recognized in local press, and he was named one of Suffolk’s best up-and-coming musicians by the East Anglian Daily Times. He was also an NMG Award nominee.
Now, Billy Hunt & The Modern Classix are back with a fresh twist—“California Callin’”, a cinematic indie-rock anthem drenched in sun-soaked nostalgia and West Coast mystique.
The new single emanates a brighter vibe laid over underlying darker brooding lyrics. California Callin’ references the dangers of losing yourself in the facade of being a musician and pays homage to Jim Morrison – one of Hunt’s favourite artists – with the initial lyric that inspired the song “Don’t you know they all go to Paris to die?”
Overall, California Calling shows a deeper side to Hunt’s songwriting ability with a broader stylistic approach, touching on subjects such as love, loss and the death of the ego. With its bold, infectious energy, the track is poised to be a modern summer classic.
Deeply connected to his roots, yet always pushing boundaries, Billy Hunt continues to captivate audiences with his authenticity, passion, and ultimate talent.
California Callin’ was recorded at Wilde Bloom Studios and was produced and mixed by Steve Maclachlan.
Indie Revolution 